| Courses | Education | Research | Publications | Other Interests | Honors |
| 1992 | The National Endowment for the Humanities Grant, Teaching American Music in the Classroom |
| 1989 | Kennesaw State College Faculty Development Grant, The Singer/Accompanist as Performers |
| 1986 | The National Endowment for the Humanities Grant, 19th Century Black American Musician |
| 1984 | Doctorate of Musical Arts (DMA) University of Michigan Major: Voice Performance and Opera |
| 1978 | Master of Music University of Michigan Major: Voice Performance and Opera |
| 1976 | Thomas J. Watson Fellowship Study Abroad
Muenchen, West Germany
Focus: Private Voice and Opera Productions in repertoire
Opera houses in West Germany and Austria.
Minor: American Music Seminar Schloss Leopoldskron, Salzburg, Austria |
| 1975 | Bachelor of Music in Performance Fisk University Major: Voice |
| 1995 | CD Recording : Art Songs and Spirituals of Harry T. Burleigh Northeastern Record Company, Framington, Ma. |
| Book: Feel the Spirit: Studies in Nineteenth-century Afro-American Music. The Nineteenth-Century Spiritual Text: A Source for Modern Gospel. George R. Keck and Sherill V. Martin. Greenwood Press, New York Westport, Connecticut, London, 1988. |
Honors
1975 Magna Cum Laude, Fisk University
Interview: The Chronicle of Higher Education: Verdi Arias and Black Spirituals